FLAME OF THE WEST is a superior "B" Western with a good, meaty plot about the citizens of a wild and woolly Western town. Brown plays the newly arrived Dr. John Poole, who's dedicated to keeping people alive but is secretly a crack shot with a gun.
Dr. Poole's mild demeanor disappoints his otherwise admiring sometime assistant Abbie (Lynne Carver of the '38 A CHRISTMAS CAROL), who wishes the good doctor were more assertive.Marshal Tom Nightlander (Douglass Dumbrille) arrives in town to establish law and order. He has a past relationship with singer Poppy Rand (Joan Woodbury). Poppy works for sleazy saloon owner Wilson (Harry Woods), and the Marshal longs to see Poppy begin a new life. A recently orphaned baby gives him a bright idea...
This Western with multiple interesting characters and strong performances came as quite a nice surprise. Adele Buffington's screenplay, based on a story by Bennett Foster, gives several characters moments to shine. The movie was directed by Lambert Hillyer, who headed up a number of Buck Jones films, including the charming THE MAN TRAILER (1934).Brown is excellent as the quiet, dedicated doctor, and it was certainly interesting to see Dumbrille in an atypical role as a Wyatt Earp type. I think of Dumbrille playing roles like aristocrats, governors, or slimy villains -- or as the aging actor of AIR PATROL (1962) -- so it was fascinating to see him so convincing in this part as the authoritative marshal.
Joan Woodbury, seen here in a publicity photo, impressed me as Poppy. In CRASHING HOLLYWOOD (1938), seen just last week, she was a sweet, innocent ingenue -- the antithesis of her part here as the sarcastic yet mournful Poppy. It's a terrific role, and Woodbury carries it off extremely well, including a great plot revelation late in the movie. Woodbury also apparently did her own singing, backed by Pee Wing King and His Golden West Cowboys.The movie is topped off with the villain being played by Harry Woods, one of the kings of "B" Western bad guys. The supporting cast also includes Raymond Hatton, Tom Quinn, and John Merton.
The movie was shot in black and white by Harry Neumann. It runs 71 minutes.
The DVD print is beautiful. It delights me that audiences can enjoy a relatively minor film like this in such pristine condition, decades after its release.
There are no extras.
Thanks to the Warner Archive for providing a review copy of this DVD collection. Warner Archive releases are MOD (manufactured on demand) and may be ordered at the Warner Archive website.

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